If you inquire about the most punk thing she's ever accomplished, Cathy Loughead answers without pause: “I performed with my neck injured in two locations. Unable to bounce, so I embellished the brace instead. It was a fantastic gig.”
Loughead belongs to a rising wave of women redefining punk music. As a upcoming television drama highlighting female punk broadcasts this Sunday, it echoes a scene already thriving well outside the screen.
This drive is most intense in Leicester, where a recent initiative – presently named the Riotous Collective – lit the fuse. Loughead was there from the beginning.
“At the launch, there were no all-women garage punk bands locally. Within a year, there seven emerged. Currently, twenty exist – and growing,” she stated. “Riotous chapters exist across the UK and internationally, from Finland to Australia, laying down tracks, playing shows, featured in festival lineups.”
This surge extends beyond Leicester. Throughout Britain, women are taking back punk – and changing the landscape of live music simultaneously.
“Numerous music spots around the United Kingdom flourishing due to women punk bands,” said Loughead. “The same goes for practice spaces, music teaching and coaching, production spaces. The reason is women are occupying these positions now.”
Additionally, they are altering the audience composition. “Bands led by women are gigging regularly. They're bringing in more diverse audiences – attendees who consider these spaces as secure, as for them,” she remarked.
A program director, from a music youth organization, said the rise is no surprise. “Females have been promised a vision of parity. But gender-based violence is at crisis proportions, the far right are manipulating women to peddle hate, and we're gaslit over subjects including hormonal changes. Females are pushing back – through music.”
A music venue advocate, from the Music Venue Trust, notes the phenomenon altering local music scenes. “We're seeing varied punk movements and they're contributing to local music ecosystems, with local spots programming varied acts and establishing protected, more inviting environments.”
Soon, Leicester will host the debut Riot Fest, a three-day event including 25 female-only groups from the UK and Europe. Recently, Decolonise Fest in London honored ethnic minority punk musicians.
The phenomenon is gaining mainstream traction. The Nova Twins are on their first headline UK tour. A fresh act's initial release, their record name, hit No. 16 in the UK charts lately.
Panic Shack were nominated for the an upcoming music award. A Northern Irish group won the Northern Ireland Music Prize in recently. Hull-based newcomers Wench performed at a notable festival at Reading Festival.
It's a movement originating from defiance. Across a field still dogged by sexism – where women-led groups remain less visible and live venues are shutting down rapidly – female punk bands are forging a new path: a platform.
In her late seventies, Viv Peto is testament that punk has no age limit. Based in Oxford musician in her band started playing only twelve months back.
“At my age, restrictions have vanished and I can do what I like,” she said. Her latest composition includes the chorus: “So yell, ‘Forget it’/ This is my moment!/ The stage is mine!/ I'm 79 / And in my top form.”
“I adore this wave of senior women punks,” she commented. “I didn't get to rebel during my early years, so I'm doing it now. It's fantastic.”
Kala Subbuswamy from the band also mentioned she was prevented to rebel as a teenager. “It has been significant to finally express myself at my current age.”
Chrissie Riedhofer, who has performed worldwide with multiple groups, also considers it a release. “It involves expelling anger: feeling unseen as a parent, as an older woman.”
Comparable emotions led Dina Gajjar to establish a group. “Performing live is a liberation you never realized you required. Females are instructed to be compliant. Punk defies this. It's raucous, it's flawed. It means, when negative events occur, I think: ‘I'll write a song about that!’”
However, Abi Masih, a band member, said the punk woman is all women: “We are simply regular, career-oriented, amazing ladies who enjoy subverting stereotypes,” she explained.
A band member, of the act the band, agreed. “Females were the first rebels. We needed to break barriers to gain attention. We still do! That rebellious spirit is in us – it seems timeless, instinctive. We're a bloody marvel!” she stated.
Not every band fits the stereotype. Band members, part of The Misfit Sisters, try to keep things unexpected.
“We don't shout about certain subjects or swear much,” commented one. The other interjected: “However, we feature a brief explosive section in each track.” Ames laughed: “That's true. However, we prefer variety. The latest piece was on the topic of underwear irritation.”
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